Friday, October 9, 1998
Troubled Neighbors Find Some Comfort In `Promised Land'
BY GREG BURTON
THE SALT LAKE TRIBUNE
The stuffed animals that appeared as gifts on Anna Palmer's windowpane
in the days following her murder have been stacked into a corner of her
wood-slat porch.
They lie at the legs of an outdoor barbecue grill, near the spot where
Anna's mother found her youngest child covered in blood, dying from stab
wounds to the neck.
Vacant for a time, the Salt Lake City home has refilled with family
members coping with the unexplained. Votive candles -- some carrying the
image of Jesus -- now cover the windowpane ledge.
It has been a dizzying month of loss and redemption for this neighborhood
-- a confluence of narrow streets and modest brick and clapboard homes
at about 1600 South that meet at 300 East.
Anna's unsolved murder looms heavy, but there are signs of healing,
some generated by the nearby distraction of a production company filming
-- quite by coincidence -- episodes of a Christian-theme television show.
Angered and fearful, but gregarious just the same, children have returned
to the bushes and fence lines.
A few houses away from the Palmers' red-brick bungalow, a griddle sizzles
inside a mobile cafeteria parked along the curb. It is 11:30 a.m.
Two blocks from where 10-year-old Anna was slain, actors, extras, grips
and directors from Merlot Film Productions are wrapping up a morning run-through
for an episode of ``Promised Land'' -- the CBS hit filmed in Salt Lake
City.
They will take their lunch break on a grassy front lawn across an overgrown
sidewalk from the makeshift cafeteria.
Neighbors are invited to eat for free. Crew members carry warm lunches
to elderly shut-ins such as 66-year-old Audrey Campbell. Campbell agonizes
over Anna's death, but she is pleasantly distracted by the commotion of
filming.
``Promised Land'' has lifted spirits here, she says, peering up from
a couch in a dark, claustrophobic, living room. ``I believe it's true,
I believe it's true. They brought me food, what a nice thing to do. They
don't have to do a thing, you know. Not a thing.''
Producers expect to film at least three episodes of the television
series at this location, chosen for two gingerbread-laced Victorian homes
that rise side-by-side around the block from the Palmers.
``We spent more than a month looking for the right kind of house,''
says Andy Langton, a location manager for Merlot who admits some misgivings
about locating here with a killer on the loose.
``At first we were uncomfortable, but neighbors said it would be a
good thing,'' he says. ``A few people came up to me thinking I might be
an unwanted stranger, really trying to look out for one another. Since
then, the response overall has been really great.''
Some residents have grown tired of the film sessions, the periodic
closure of a street or the clutter of cast and crew. But most agree the
crew's arrival was as much a miracle as a lark.
``We are still afraid of what has happened -- still really watching
what is going on -- but this helps,'' says Betty Eatchel, a friend of the
Palmers who lives nearby on Browning Avenue, one of a series of tree-lined
streets -- Harvard and Emerson among them -- with lofty aspirations.
So while the Greenes -- the fictional ``Promised Land'' family -- follow
their own dramatic path from loss to redemption -- so will the families
in this neighborhood.
Langton, who is arranging a donation to the Palmer family, wouldn't
have it any other way.
``We are in the business of creating the fantasy world,'' he says.
``So it's always kind of sobering, but nice, for us when we run into real
life.''
|