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301-Vengeance Is Mine, Part 2

302-Balancing Act

303-Restoration

304-Baptism Of Fire

305-Chasin' The Blues

306-Denver: Welcome Home

307-Anywhere But Here

308-And A Baby Makes Three

309-Out Of Bounds

310-Jury Duty

311-The Visitor

312-Wounded Hearts

313-It's All In The Family

314-Under Cover

315-In The Money

316-Pursuit Of Happiness

317-What's In A Word

318-A Day In The Life

319-Leaving The Life

320-Baby Steps

321-Darkness Visible

322-Finale

 

 

 

 

 

Episode 312:  "Wounded Hearts"

Original Air Date: January 14, 1999

 

Written by: Arnold Margolin

Directed by: Alan J. Levi

Produced by: Steven Phillip Smith, Martha Williamson, William Schwartz, Jon Andersen & R.J. Visciglia,  Jr.

   

 

Guest Cast: 

L.T. Eugene Byrd
Shamaya Kathryne Dora Brown
Lawrence Taggert, Sr. Ben Vereen
Bobbie Fitzgerald Tinsley Grimes
Margot Notewirthy Ashleigh Norman
Mrs. Fitzgerald Mary Parker Williams
Oscar Davis Kent Faulc
Quinn Kent West
 

The return of Lawrence Taggert, Sr. (LT and Shamaya's father) in the previous episode and the news of his illness has begun to have an effect on LT's attitude.  Russell reprimands him for picking a fight when he's supposed to be refereeing a basketball game.  LT finds (from Josh) that the loan officer (Oscar Davis) turned down Shamaya for a loan when she refused to have dinner with him.  LT goes to the bank and confronts Oscar himself, causing a big scene.  Security is called and the cops take LT home.  Oscar isn't going to press charges, but he is getting a restraining order.  Ultimately, Lawrence Sr. blames himself for the recent change in LT and leaves, feeling that it will be the best for everyone that way.  Russell and LT go in search of Lawrence, checking shelters.  LT tells Russell how his father left when he was eight, without so much as a goodbye.  A lot of anger has built up over the years.  Russell advises LT to let his dad know how he feels, to work through some of that anger.  Russell and LT find Lawrence at a bus stop, headed to Detroit to see his brother.  LT, while still carrying a lot of resentment, reaches out to his father, asking him to return home with them.

Josh and Bobbie decide to start seeing each other exclusively.  Bobbie and her son Kevin are going away for the weekend to visit Alan's parents.  Josh is uncomfortable with the idea.  When Josh finds out that Alan is at his parents' house too, Josh gets bent out of shape.  Josh goes over to Bobbie's house to deliver a letter.  Mrs. Fitzgerald mentions how Kevin called out Josh's name when he had a nightmare the other night.  When she realizes Bobbie hadn't told Josh, Mrs. Fitzgerald apologizes for speaking out of turn and decides to let them handle it between themselves.  When Bobbie returns, she explains that she didn't tell Josh about Kevin calling for Josh (when he woke from a nightmare) because she didn't want Josh to feel added pressure.  Josh tells Bobbie she shouldn't keep things from him when it concerns them (as a couple).  Bobbie confronts Josh about the problem he seems to have trusting her.  They clear the air, realizing they both need to trust each other more if this relationship is to survive and grow.  Bobbie admits she was trying to steer him around the potholes.  Josh responds, saying "potholes build character."

Dinah is invited to a costume party.  She works up the nerve to ask a boy as her date.  When he winds up getting the flu, Dinah convinces a reluctant Margot to go with her instead.  Since Margot chose Dinah's costume (a flapper), Dinah chooses Margot's costume -- an ordinary teenage girl.  Margot winds up turning heads at the party and her new look goes over very well.  But no sooner than it appears that Margot is enjoying herself, that she leaves abruptly in the middle of the party.  The next day, Margot returns Dinah's clothes, having retreated back to the comfort of her previous identity as a girl out of sync with her generation.  Margot reads Dinah a poem which she wrote for her, in appreciation of Dinah's steadfastness of character, loyalty and friendship.  Once in the privacy of her bedroom, listening to an old phonograph recording of Ethel Merman singing the Cole Porter classic, "It's Delovely," Margot takes one more look at herself in contemporary teen attire.  Although she may not be ready for a complete transition, the masquerade party has stirred something within Margot that is intrigued by the idea, if nothing else, of being a regular teenager.